cab calloway :: essays research papers

machine politician Calloway was an influential vocalizer and prole in the 1930s. Born in Rochester, NY, on December 25, 1907, he started from gemstone bottom and worked his way up, until he was discovered and on top. To get to the top, taxicab was a part of many different scenes and had much help from family and friends.      check to Dan Gediman, drudge was the "Hi De Ho" man, a legendary showman, gifted vocaliser, band draw, actor, and path setter. He was a larger than life figure, who was immortalized in cartoons and caricatures, was also the leader of one of the greatest bands of the Swing Era (Dan Gediman, "Cab Calloway"). Scott Yanow thought Cab was "One of the great entertainers," and Cabs name was a household one by 1932, and never really declined in fame (Scott Yanow, "Cab Calloways Biography").      Cab grew up in Baltimore, and attended law schooling there briefly, in front win quit school an d set off to try and make it as a singer and dancer. As a young man Cab was following his fathers footsteps in becoming a lawyer, going to law school and studying law. Cab wanted to be an entertainer even though his family demoralised him. They thought that it would be more appropriate for him to become a lawyer like his dad. Although, at the time that he was going to law school, his sister, Blanche Calloway, was a popular singer and was producing and singing a few fine records before retiring in the mid 1930s (Yanow). Well, his sister Blanche who was a prominent singer of the time convinced Cab to put more of an effort into his enjoyment career. So while Cab was attending law school in Chicago, he also moonlighted at local nightclubs as a performer. plot of land performing in Chicago he met the famous trumpeter and singer Louis Armstrong, who taught him to course. According to the Schoumbrg Center for Research in black Culture carry singing in music is "a jazz vocal cours e using emotive, onomatopoeic, and nonsense syllables instead of words in solo improvisations on a melody". Scat has dim antecedents in the West African practice of assigning fixed syllables to percussion patterns, but the style was do popular by trumpeter and singer Louis Armstrong from 1927 on. The popular theory that scat singing began when a vocalist forgot the lyrics may be true, but this birth does not explain the persistence of the style.